![]() Can I be honest? I hope so. In times of tumult, I am grateful for my faith. I know having a faith at all can be controversial these days, but faith in something far bigger than myself has been a light in my life. Whatever your faith may be, I implore you to cling to or sail toward it when feeling lost at sea. National politics can be overwhelming. Let's face it, these days--even small-town, local politics can be a bit ruckus. It's hard to have an opinion these days, but I do have one. Take it or leave it. Amid the divisions, don't retreat completely, and conversely, don't get so distracted and consumed by it that you forget the gifts right in front of you. There is always something to be grateful for, and there are so many tangible ways to help your immediate community, family or friends. In early November, as I contemplated how to meaningfully focus my efforts and attention in the coming years, I came across this passage in my handy dandy daily devotional: Our Daily Bread. The reading is included below. I decided I needed to start simply and tend to those within reach rather than get too wrapped up in so much that seems beyond my own personal control. No matter who or where we are, ask: How can we serve the community we're in? ![]() The Room to Write and the Arts Collaborative of Wakefield teamed up for a second time in 2024 to bring words and art together in one exhibit. Writers don't often get the opportunity to publicly display their words on a wall as art, so TRtW jumped at the chance to be part of a second exhibit. The first time around, artists made art available, then writers selected a piece of art to inspire their words. This exhibit flipped the order and writers offered their writing for artists to select from as inspiration for creating their artwork. A poem that I wrote this past summer, had the privilege of acting as inspiration for and being displayed alongside a piece of art by Kendall Inglese as part of the Arts Collaborative of Wakefield's October Exhibit & Sale: Elements: Earth, Water, Air, Fire. Of course, being the overachiever that I am--I wanted to weave all four of the elements into my poem, rather than pick just one, though I do love me some wind (aka: air:). Perhaps not picking just one element was to the poem's detriment? I'll let you decide. ![]() Either way, my poem was inspired by the partial quote, "Where flowers bloom, so does hope." I am a passionate gardener and absolutely love that image, which is carved into a bird bath behind the summer cottage we stay in. That optimism was displayed by a lone Balloon Flower (Platycodon grandiflorus) bloom, pictured, that was showing off its purple hue for all to enjoy in an area where it was not planted and had no business surviving, let alone blooming. The hope exuded by that singular flower so struck me that I took a photo and wrote a poem titled, "Where Flowers Bloom, So Does Hope." The writer and artist pairings from the October 2024 exhibit will begin posting to view on the North of Boston Writers Network blog in December 2024. The prior exhibit, "Tell Me a Story," pairings were featured on the NBWN blog from April to August 2024, if you'd like to look back at those. Read more about the October exhibit by clicking here. ![]() Where Flowers Bloom by Colleen Getty After the fire. Flood waters retreat. Embers cool. Soil dries solid beneath feet. Winds bring respite, not fuel for flames. Earth slowly shrinks and sleeps, but world unrecognizable remains. Give time. Take heart. The End simply must precede The Start. Life insists on living below the surface of her skin, its shell, his eyes—that dirt. A cell, an egg, the idea—one seed can soothe our hurt. Have patience. Imagination. Alpine Asters survive on the steepest slope, And where flowers bloom –so does hope.* --This poem and artwork posted on the North of Boston Writers' Network blog, found here: Where Flowers Bloom by Colleen Getty, which served as inspiration for the art of Kendall Inglese | North of Boston Writers Network * Quote from Lady Bird Johnson’s at the Annual Convention of the Associated Press Managing Editors Association, Oct. 1, 1965. “When I go into the poorest neighborhoods, I look for the flash of color - a geranium in a coffee can, a window box set against the scaling side of a tenement, a border of roses struggling in a tiny patch of open ground. Where flowers bloom, so does hope - and hope is the precious, indispensable ingredient without which the war on poverty can never be won.” ![]() Have I mentioned my belief that the key to happiness is low expectations? So, adjust your expectations and you may just enjoy this poetry. For me, a polished piece of poetry has the potential to be something to fear from the writer's point of view--because I'm saying, "This is perfect! There is nothing more I can do with it, so don't bother to look. Just sit back and enjoy this symphony of sounds." [Chef's kiss into the air . . . mwuuaahhh] It's so much less intimidating to open up my rough and tumble sketchbook (no, I don't often--ever?--sketch, unless doodling counts. But, taking a break from writing and making time for art of the more visual sense was the intent of the workshop where I received my sketchbook and, like that prized pair of jeans in the closet fitting a little too snugly, I am leaving the sketchbook open to the possibility of being sketched in at some point in the future. ![]() Side note: Since I'm a total nerd and have to admit I like dad jokes and puns (who doesn't need an easy, cheap laugh these days?!) I just thought to myself, "A notebook for sketchy writing." Yes! That's it. Love that. Publish that. It's perfect! (PS: I swear I just came up with that--out of the blue. Nothing preplanned about it. Seriously. Why are you smiling and shaking your head?! You don't believe me, do you! My mind is just constantly in search of either an appropriate song to match the scene or a low-hanging, joke of questionable quality.) ![]() Ok--the poems. That was what this blog post was all about before my sketchy sketchbook swooped in and distracted me, but I have to admit digressions are such fun! So--how did these unpolished poems come about? Well, long story short: this past summer: two adults three teens and a tween = 6, plus cat = 6.25, two weeks later: minus three, subtract another one unexpectedly = 2.25 (a mom, her boy & a cat:) = the ability to hear myself think. Combine this with a collaboration between The Room to Write and Arts Collaborative of Wakefield special art exhibit requiring 12 writers to pair with 12 artists + one summer slumber for all + deadline = 9 writers + me = 10. So, I had to write. At one optimistic point, I told myself that I would write a poem a day. No big whoop! But, I also had a cottage to paint, a garden to rehab, an uncharacteristically angsty teen, and a boy to spend the tail end of summer with. I started with the poem that ended up being paired with a piece of art for the exhibit. Next day a revision of that first poem. Then two poems, rough and ready. Then two more poems with two different pens. That was a challenging day, which is reflected within the poems. The next day, one poem while life simplified. Five days in a row: nothing. I was too busy kayaking, bike riding, beaching, painting, reading and allowing my mind a rest. Then one last poem on the last day of vacation. And, as Pa Ingalls always said, "All's well that ends well." And it did. There was a lot to love about our family's summer vacation, but that last week was a slice of serenity that was something to be savored. ![]() April was such a busy month! Everything that was usually quarterly and staggered so that each quarterly happening doesn't fall within the same month--all fell on the same month: April. I'm still trying to catch my breath. Something I'm so glad I said "yes" to was the collaboration between The Room to Write, the non-profit that I founded and direct, and the Arts Collaborative of Wakefield, a local arts organization. So, in addition to all the quarterly things, TRtW also had a month of art programming to plan, get the word out about, and carry out. Artists and Writers featured together. Yay! I always say how nobody goes out to a gallery to look at 8x11 white pieces of paper with words on them, but this time they did because the pieces of writing were accompanied by colorful, unique art. The writing was also colorful and unique in its language and format, but it helps to have some eye candy to draw a reader into words on a wall. ![]() One of the pairings can be found on the North of Boston Writers Network with the other twelve to follow. The first features one of the art exhibit coordinators, Andrea Willey, and my oldest daughter, Alice Getty. It was such a proud moment to see my teenage daughter step out of her comfort zone and agree to participate in a collaborative art exhibit featuring an original poem she wrote inspired by the art she saw. ![]() There were so many other things that happened--regular programming at the Senior Centers--a great lineup ending with Stephen Puleo this afternoon--as well as two local author interviews at WCAT Studios and the usual critique group meetings: Multi-genre, Kid Lit and the Senior Group. There was a board meeting, a Writers and Illustrators Meet & Greet as well as six local authors visiting the art exhibit to read the books they authored aloud to kids and parents, there were exhibit evenings and afternoons and various discussions here, there and seemingly everywhere. More about that and photos can be found here:) May is usually very busy, but I think compared to April it may be calmer. I'm looking forward to that. After spending three and a half hours of one day this month trying to bunny-proof my back yard by blocking all entrances, I am looking forward to some uninterrupted garden time. And some Z-zz-z-z--z-z-z-z-z-zzzzzzzzzzz . . . |
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