I did something for myself! How lovely:)

Sometimes reading email can lead to something good. One wintery day, I got an email from the bottomless cup of local author Pam Vaughan. Just when you think she can't possibly have any more in her: more Pam Vaughn. She's amazing and also usually smiling--two great qualities!

So, thanks to Pam and her fellow volunteer Julia Boyce--the Whispering Pines Retreat found a new home this year at Endicott College in Beverly, MA, which so happens to be a hop-skip-and-a-jump from my house. How convenient! So, I signed up!

I had big plans to be ready and packed ahead of time, but as weeks usually go--I pushed off from my dock much later than expected. The sweet images of a full face-plant into a pillow upon arrival started to dissolve into the reality of hoping I got there before the whole thing was over. I arrived exhausted and wondering how I would string together even one coherent sentence. Check-in. Luggage lugging complete. I had a full 9 minutes before the itinerary was in full swing, so even though I have yet to be published--I slipped right into the role and did what any professional, published author would do upon arrival: face-plant! Eight and a half minutes of paranoid (like, I might actually fall into a deep sleep and miss everything, so I kept checking the time) face-plant felt so luxurious.

So, that there was too much information. I know. Sometimes that's how I waste all this precious brain space, so that when it comes time to remember a name, a location and something specific that may need recalling in the future--there's a bit of fog. Anyway, the Whispering Pines Writers Retreat was great! It was small enough to be manageable, and it was filled with people I wanted to follow up with forever after I left. I haven't quite gotten to that part yet, but I'm working on carving out some more time to do it. 

What a great weekend! Such talented participants to be immersed among along with some really great--and very fun--editors and agents who enlightened us with their industry knowledge and insightful honesty: Matt Phipps, Associate Editor, G.P. Putnam’s Sons|Penguin Young Readers; Marissa Brown, Associate Agent, Pippin Properties; Olivia Luchini, Assistant Editor, Penguin Workshop|PRH; Alexander Slater, Agent, Sanford J. Greenburger Associates; and ​Ariel Richardson, Senior Editor, Chronicle Books.
Now . . . I will clam up:)

Have I mentioned my belief that the key to happiness is low expectations?

So, adjust your expectations and you may just enjoy this poetry. For me, a polished piece of poetry has the potential to be something to fear from the writer's point of view--because I'm saying, "This is perfect! There is nothing more I can do with it, so don't bother to look. Just sit back and enjoy this symphony of sounds." [Chef's kiss into the air . . . mwuuaahhh]

It's so much less intimidating to open up my rough and tumble sketchbook (no, I don't often--ever?--sketch, unless doodling counts. But, taking a break from writing and making time for art of the more visual sense was the intent of the workshop where I received my sketchbook and, like that prized pair of jeans in the closet fitting a little too snugly, I am leaving the sketchbook open to the possibility of being sketched in at some point in the future.

Ok--the poems. That was what this blog post was all about before my sketchy sketchbook swooped in and distracted me, but I have to admit digressions are such fun! So--how did these unpolished poems come about? Well, long story short: this past summer: two adults three teens and a tween = 6, plus cat = 6.25, two weeks later: minus three, subtract another one unexpectedly = 2.25 (a mom, her boy & a cat:) = the ability to hear myself think. Combine this with a collaboration between The Room to Write and Arts Collaborative of Wakefield special art exhibit requiring 12 writers to pair with 12 artists + one summer slumber for all + deadline = 9 writers + me = 10.
So, I had to write. 

At one optimistic point, I told myself that I would write a poem a day. No big whoop! But, I also had a cottage to paint, a garden to rehab, an uncharacteristically angsty teen, and a boy to spend the tail end of summer with. I started with the poem that ended up being paired with a piece of art for the exhibit. Next day a revision of that first poem. Then two poems, rough and ready. Then two more poems with two different pens. That was a challenging day, which is reflected within the poems. The next day, one poem while life simplified. Five days in a row: nothing. I was too busy kayaking, bike riding, beaching, painting, reading and allowing my mind a rest. Then one last poem on the last day of vacation. And, as Pa Ingalls always said, "All's well that ends well." And it did. There was a lot to love about our family's summer vacation, but that last week was a slice of serenity that was something to be savored.

The Big Apple! Normally, I am a big fan of apples--I even have two apple trees.
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I saw the email come across my computer in the fall and thought, "Maybe I'll do it. I'll hop on a train and head out to New York City to the Society for Children's Book Writers and Illustrators winter conference taking place the second weekend of February. After all, it's February. Dark. Cold. A good time to shake things up.

Part of it felt like a good excuse to get some alone time and focus on my writing. Another part of me was wondering what it was like to attend a writing conference solely as a participant since for the last several years I have been a volunteer at the New England SCBWI Spring Conference either as a Manuscript Critique Coordinator or more recently as a Volunteer Coordinator since there were no Manuscript Critiques at last spring's conference. And then, there was the fact that there was no conference, altogether, planned for New England in 2024. 

That left New York to seem like something worth trying!
Even if only for one year. And after this conference?
Yes, one year was all I need.

I have to admit that just sitting on a train for four hours, alone and in the designated Quiet Car sounded like a rare luxury that I looked forward to, and even though I may not be eager to attend another NY conference any time soon, I am glad I went, but it was a steep and pricey learning curve.

First lesson, when they say "coffee" from 7-8am on the first day of the conference before the welcome, they mean just coffee, and tea, and you're lucky if even just that holds out for the full hour. Luckily, I drink tea because they ran out of coffee that first day before 8am. Those of us used to the New England conference where there's fruit, bagels, muffins and pastries available had to rush down to buy an overpriced muffin three floors down at the hotel's grab'n'go store. Oh, right, conference participants got 15% off their purchases, though you couldn't make use of that if you arrived before Saturday because you needed your name badge to get the discount. The vendor assured me that there was actually something for free: the receipt. At least he had a sense of humor:) Luckily I do, too.

I was happy to run into Federico Erebia, an author I knew from back "home," who I had met because he was one of the volunteers at the New England conference. It was so nice to see a familiar face. Another unexpected face? A gal I graduated with from high school, Andrea Keyo, who happened to sit next to me at a workshop. What are the odds??!! It was so great to see her--she was one of the high school friends that I never saw outside of school but we had a lot of fun in our library study block. She had done a pivot from lawyering to writing and NY was her first conference.

One thing to know when you go to a conference is that there is a lot of stuff in a very little amount of time, so you will leave absolutely exhausted. Even a supposed "veteran" like me was ready for a one-month hibernation after my trip to NY. I really enjoyed the speakers and the workshops. I feel like I took some great tips away, but honestly it was the personal stuff that helped me justify the cost and time. My two run-ins with familiar faces were highlights along with a planned run-in with a friend I had met while spending a semester in Ireland for college and that I had not seen in, I think we did the math, 18 years!

It ended up that she was only available on Saturday night, which was when the networking events were happening as part of the conference. But, honestly, I was so exhausted by Saturday night that I was really looking forward to easy conversation with an old friend more than having to put forth the brain power that would be required to network and make connections with strangers--even those I had the commonality of writing with. So, it was like a mental vacation to meet up with my old pal Lisa and catch each other up on the last almost-two-decades of our lives. We had a great burger and some beers and even--like the old Irish Catholic ladies we are--took time out to duck into St. Patrick's Cathedral to light a candle and say a prayer for a couple of sick people in our lives.
Seeing Lisa? "The" highlight!:)
​As with so many things in life: it's the human connection that makes the difference.

So, I had some fun! Was it because of the conference?
No.
Actually, I think the conference was exhausting and frustrating with how expensive it was, how cumbersome it felt at times, how little it offered for the price, and how it seemed they wasted opportunities, like when people flooded the ballroom to look at portfolios on Friday night. The ample space in the room was not well used. The portfolios were all crammed on a few tables so that everybody was looking over shoulders as someone else turned the pages of a portfolio. Only an hour and a half was allotted to that event, which was definitely not enough time to look at portfolios, let alone reconnect and try to network with people we hadn't seen in a year or wanted to get to know at the same time. It was practically over before it began. Perhaps scheduling the networking events for Friday night, when people were charged up and had energy, would have been better than sticking networking at the end of a long Saturday. 

That's my honest reflection. Between the train ride, the hotel cost, the cost of the actual conference (and that doesn't count if you paid extra for a critique, which I did not) and then food--it's really, really expensive if the only reason you're there is to attend the conference. But--luckily I connected with an old friend, I ran into another, and I got free tickets to sit in the studio audience of Stephen Colbert's The Late Show where I was fortunate enough to see Stephen Colbert, but also his two guests that night: Billy Joel and Ryan Gosling. Yes, Ken! My teenage daughters were very jealous!

Was there a robbery and a shooting where a Brazilian tourist got injured while I was watching Ryan Gosling present a mink fur coat to Stephan Colbert? Yes. Did I walk out unaware of the manhunt going on only blocks away? Sure. I guess that's par for the course in NY.

I like to walk and so I made good use of my Friday covering miles of New York: Central Park, Madison Ave, 5th Ave, the Empire State Building and Times Square (where the prior night's shooting took place). I asked the door man at the Empire State Building for a good place for lunch. My hot tip: The Playwright's Tavern! Besides the receipt, it was the one thing I got "free" in NY. Any beverage with lunch was free and of course I maximized the value by ordering a beer--the house ale (or lager? I can't remember, but it was good--even if it wasn't free:).

There was something so exhilarating about walking as far as I wanted in whatever direction I wanted for as long as I wanted without any teenagers complaining about how long we'd been walking, getting hungry or wondering, "Why are we going this way?" What I needed more than a conference, was some freedom. You need that every now and then.

So, am I glad I went?
Yes.
Will I go next year?
No.
But, like carrot cake is sometimes just a way to get the cream cheese frosting, a little professional development can be a good way to get out into the world, connect with friends expected and unexpected, and to travel and see the world beyond your front yard. Also, it served as a good dry run for the DC trip my family was planning to take the following week--also on the same train.:)

Here I am--another last-day-of-the-month . . . and year . . . blog entry. 

The bare minimum blog requirement that I gave myself in 2020 was that I do one entry a month. When anybody first starts out on anything like a blog, podcast, video series--whatever medium is chosen to express themselves--there is usually a big wad of pent-up creativity resembling second-graders in a line at school all wanting to be first, all smooshing into each other if the line slows, and all eager to get to wherever it is they're going. There is a sense of urgency. Temper that.

Telling yourself to do something as infrequently as once a month, which boils down to 12 times a year, well--that seems too low a bar. It's like limbo with the stick still over your head and you think, "I got this! I am going to outlast every person in this limbo line." 

Your smile is eager, but you haven't had to bend your back in the opposite direction that it's used to bending yet. The music has you energized, there are enthusiastic people all around you in line, and you just tip your head back ever-so-slightly when you reach the limbo stick. Easy peasy!

Then you cycle through a few times and the sweat starts. There are less people in line, but the crowd is still feeling the music and now you need to act energized rather than actually feeling energized. The limbo stick is below your shoulders and let's face it--that's low for a middle-aged woman who hasn't done back-walkovers with her friends on the front lawn in about something-something years. ​

The point is--you're confident and even cocky at the beginning of any quest whether it's a blog, a plan to get organized, a vow that you'll make more time for your friends, or a limbo line. I have said it before and I'll say it again, "The key to happiness is low expectations." Bite-sized pieces can be very helpful. We've all seen The Great Outdoors and what happens with the Ol' 96er (if not, you should see it and have a good laugh in 2024). Don't make the same mistake our beloved John Candy made by letting other people set expectations for you, by going outside of your comfort zone to please others. Letting others dictate your actions can not only cause avoidable stress but it can sow resentment. And resentment is, unfortunately, the gift that can keep on giving even after the stress has been eliminated.

​Think simple.

Case in point: this blog post. I told myself to just sit down and write something quickly so that I would get a blog entry in for the month, the last day of the year. Here I am still droning on and now looking up clips of John Candy eating the Ol' 96er and figuring out how to wrap this up and wondering what my point was to begin with. I guess my point is set the bar low and just begin. Say you'll only write a few sentences and perhaps you'll walk away from a few paragraphs instead. Give yourself the possibility of a victory, no matter how small, and you may just exceed your own low expectations. If you make goals too lofty, too intimidating and too stressful--you risk sabotaging the whole thing.

Gratitude plays an important role as well.
If you set a small goal then you are more easily grateful when it is reached.
Gratitude is integral in life, to love and to growing in your faith. 

Start small and be grateful.
Happy New Year!

Good news:
I am finally getting to my September blog posting.
Bad news:
Yes, it's October:)

The same thing happens with apple picking. I know September is prime time, but the month of September consistently goes by in a blur and then October arrives and we finally pick apples.
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​It seems to be a resounding theme in my life lately. And--what exactly is lately? This week? This past month? Absolutely not. "Lately" is more like the last several years.

Even this year's month of August, which is usually a time when I try to relax fully and gather all my energy for the fall push, was interrupted by coughing. A cough from nowhere. Just a cough. Wet and productive. At least something has been productive--haha. It's amazing how a cough can be so disruptive, so sleep depriving, so socially unacceptable, and so mysterious. I still haven't discovered the exact cause or cure or for how much longer. For now, it's under control, but only because of a daily inhaler. Something I can't wait to be without.
I suppose we age and our health wanes whether we like it or not.
I don't like it!

So, what now?
Will I ever catch my stride.
How is anybody ever able to proceed at a pace that is enjoyable when life seems to blare at you and then go quiet, then honk, then hum, then crash, then cancel, then . . . then . . .

I am not an animal who can sit by the fire and fetch slippers every morning. I cannot recognize that I have wings and not try to use them.
​Maybe I should? Chickens seem content with it.
I need to work, to use my skills, to feel fulfilled in meaningful ways. But, I don't know that I have found a way to do that at a reasonable pace. I don't know how to get the ebb and flow to cooperate. It seems it's just flow, flow, flow. 

I was recently talking to another writer who has a similar difficulty. The world tells us, "Say 'yes' to everything in order to advance in life." Ok. But, what happens when you've gotten so good at saying "yes," that you forget how to say "no?" I think I need a more fine-tuned instruction manual going forward. 

There's something about spring and, in particular, the month of May that makes everybody buzz about seeking new ways to grow, not only in the garden but in their spiritual life, family life, professional life, and--hopefully--their creative life. 

​Sometimes our creative lives take a back seat to all the other lives we maintain.

If you're hoping to grow in your creative life, a wonderful and free resource is available to you thanks to a collaboration and sponsorship from Wakefield Community Access Television (WCAT) studios titled The Journey of a Story interview series. 

No matter what genre you write in and regardless of the age your target audience is, some things remain constant in writing, and we have uncovered some really helpful insights that can save you a lot of time and frustration when it comes to the publication process.

In The Room to Write's interview series, The Journey of a Story, we focus on the writing and publication process rather than the content of each book. We're not at all interested in an author's pedigree, but we are very curious about the obstacles in each author's journey that they had to overcome in order to persevere all the way to publication. We love to learn about time-and-sanity-saving hacks!
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We're not so much interested in plot twists as we are curious how a writer battled writer's block, formatted a query letter, found an agent, and the nitty gritty details of the revision process. The Journey of a Story series is a high-quality series on a low budget because--let's face it--most writers are not making a living from their creative writing projects and publications. By day they are teachers, doctors, financial advisors, therapists, and successful entrepreneurs. Other writers have only found the time to write after they retired from their full-time jobs.

So, tune into 30 (currently) different interviews of authors who write everything from adult romance to children's picture books, poems to plays, kids non-fiction to adult essays. It's quite an eclectic group and they share generously from their experiences. The one commonality? They are all from New England, with the vast majority reside in Massachusetts.

So sit back, tuck it, top off and learn how real writers write and how they eventually publish!

As part of The Room to Write's Senior and Veterans programming, we have writing days that are more casual and unstructured. We call those writing days: Gather & Write. It's a way to make time for writing during the week that is less structured. An instructor shows up and offers a writing prompt or two, or whatever, to the group--something to get the wheels turning and the pen writing.

Being the only "poet" in the group has propelled me to utilize the time I am at the writing prompt helm to offer up something poetic. Not everybody in the group that gathers is necessarily interested in writing poetry--per se--but, really, poems are simply words that sometimes appear in a flowing sundress, sometimes in a polo shirt, and other times squeezed into a tuxedo and bowtie. 
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For Valentine's Day, I decided to give the group a glimpse of a well-dressed poem. What form stood out to me as appropriate for the special day? The Sonnet, of course. When you think Sonnet, you often think Shakespeare. That might make you nervous, but it shouldn't. Shakespeare was in love with words. That's it. Sometimes passion can cause a person to get carried away, and so that is all that was--a man who got carried away with words. He was truly in love with words and so am I.

Now, do I sit at home crafting sonnets all day or even once a week? 
No. 

​I am more of a free-verse poet, but I do enjoy a challenge every now and then. Think of a sonnet as a word puzzle. Puzzles aren't always meant to be easy. They are meant to get your mind churning and working until: voila! You have solved it--or you come close to solving it. There is a satisfaction in that. Sonnets can be wonderful exercise for our brains!

I printed out some background, information and examples of the sonnet using a very helpful website, which you can access at: https://www.poetryfoundation.org/learn/glossary-terms/sonnet 
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Keeping with the clothing theme, I told participants to think of a sonnet as a Corsette. Sonnets are a very tight poetic format. There are rules--strict ones. The sonnet forces you in place. It can be painful, but we persevered. 

You know what? Some participants actually enjoyed it. Others scoffed and at least one or two outright refused to conform to the format, which is perfectly fine. Still many surprised themselves with what they produced. 

I was one of them. Having been the person to force this poetic form upon the group, I was stumped when it came to sitting and writing until I simply decided to write about having to write a sonnet itself and the difficulty it posed for me. 

I just did something for myself. Well--not counting the KitKat bar I just asked my second born for. She obliged willingly taking it out of her sibling's bag. I shouldn't have accepted or condoned or whatever crime it was to allow my second born to take a chocolate from one of the other born's bag for my own craving--but it's Friday, so I did. 

Anyway, that was not what I did for myself. What I just did was participate in a poetry workshop. On Zoom, which I'm a bit sick of . . . but it was free, and I needed something. Like the KitKat, but for my creative spirit. I needed somebody to feed me creatively and force me to produce something creative. The workshop was sponsored by International Women's Writing Guild (IWWG) and facilitated by Warrior Poet Kai Coggin. She'll be offering a poetry intensive workshop if you are looking to get creative. Find out about that here.

Here is the poem the workshop helped me produce. It's a draft--as everything is:)

Joy
-----
She sat there
in our ordinary kitchen.
My cup of tea, still hot,
perfectly sweet and splash of milk.
Ordinary black. Stringless bag. Sinking. Steeping.
She sat there
circling us--taunting
knowing she wouldn't stay.
She couldn't --
-- wear out her welcome
-- be taken for granted.
Expected.
Sitting there--as if always.
In our kitchen
every ordinary, sleepy Saturday.
Tea and talk, dancing.
So simple until she slipped away
to another kitchen,
somebody else's unassuming moment.