I can't help but feel like a slacker. The trouble is there's still only the original 24 hours in a day and that just doesn't seem to be enough for me to get the things I need done, followed by the things I want to do done, followed by the things I should do done: you know that resting, relaxing, recovering, and rejuvenating thing we hear is necessary for a healthy and happy life.
Some writers and artists seem to create when the mood strikes them or when they feel something come over them and that used to be my method too, but with life so busy I'm going to have to come up with some other way that forces me to make more time for my personal writing projects, not just the writing I need to do for work or various other commitments, but the novels and poetry and blog posts (ahem!) I really want to be able to do.
Some writers and artists claim that the morning hours are best and I'm sure they are, but I'm not a morning person. Can I try to become one? Sure. Do I want to try to become one? No. I don't want to try, anyway. If I woke up one morning and was suddenly a morning person--sure, I'd love that. But, I don't have the energy to try to become one.
So, what's a gal to do? Well, it's almost summer. Ok--technically it's summer on the calendar and meteorologically it's summer, but according to my children's school summer is has not started yet. Yes, it's nearly July and "summer vacation" is still hours away.
What does summer have to do with anything, you may be wondering?
More time? Hopefully. But, based on historical precedent there seems to be no more time in the summer months than there are in the other nine and anything extra should be devoted to a good amount of resting and relaxing that every body needs in order to carry on for those other hectic, hurry-up-and-go months. One thing July has going for it is sunnier mornings which may be a help toward earlier mornings which may be a help toward writing in the mornings.
Throw in a good, old fashioned one-month challenge! Don't forget to include public accountability so others can see if you are holding to your commitment and have every right to heckle you if you slack off.
So, here goes. I am going to try to challenge myself to produce something creative for one month's time. I suppose I have to figure out what that is first, but I have a week to come up with something and report back.
That's just what I'll do.
Stay tuned. :)
The world is opening up slowly but surely. Hopefully it follows spring's lead and petal by petal it stretches into a bloom so that we can enjoy life more fully. Imagine if flowers stayed buds forever?
What a tease.
The Massachusetts State Poetry Society had a meeting this past weekend. It was in-person at the Beverly Public Library, and it has been a while since I have attended any workshop or gathering in-person for the sake of being creative--even if only in bite-sized pieces. Poetry is sort of famous for being bite-sized, so this was a good start.
Poetry also has a habit of being famously impenetrable or snobbish. But, like so many things in life, if you can push past your own preconceived notions about poetry you'll see it's just words like everything else.
It's a magnifying glass for emotion and feeling.
It tries to get right to the point.
Its love for the heart of the matter can be seen as obstinate at times.
This is where this weekend's workshop on Acrostic Poetry comes in. Acrostic Poetry is quite possibly the perfect ambassador between people and poetry. It provides the suggestion of structure but does not slap you across the knuckles with its rules as some forms have a habit of doing. It simply provides a very entry-level chain link fence where you can see outside, but you are asked to play within its boundaries. What you play is up to you.
Some may see the fence and find it, well--offensive (pardon the wordplay:). It seems too elementary. In fact, you may remember writing an acrostic poem in elementary school. What an insult to your intelligence, because while you may not be up for the snobbery of a Shakespearean Sonnet, you will not be subjected to the ABCs of an Acrostic! Pfft!!
Well, I must admit to you, my attitude was quite the same. It had been years--decades--since I'd laid eyes, let alone my own pen, onto an acrostic poem. And yet, I played along.
I was brought over to the fenced in area.
The rules were simple and clear--refreshingly so.
So, I played.
And . . .
I absolutely loved it. Simple enough for my overwhelmed mind to participate and yet once I allowed myself to forget about the world beyond the fence, I felt safe and had some fun with words. I didn't drone on as I tend to do with prose. I picked and plucked and tried to put together a bouquet. Rearranging, crossing out, rewriting. It has been so long since I'd allowed myself to work at a poem that wasn't simply "freestyle." The "rules" offered just enough challenge without making the exercise daunting or frustrating.
So, I encourage you. I implore you: write an Acrostic Poem. Here's a link to get you started: Acrostic Poem
Many thanks to Jeanette Maes, President of the Massachusetts State Poetry Society, who facilitated the workshop this past weekend. The poem I wrote is titled "Gardening" and it could do with some reworking, but I'll include it as it stands currently.
It felt good to take a snapshot of thought and force it onto paper. There is a satisfaction in creating that we cannot, as humans, dismiss or constantly defer. I'm glad I shook myself from default to get my hot mess of a self into the car and to that meeting so I could start to remember why I love poetry and words as a medium, so very much.
At long last, two years after I was originally supposed to sit down with the wonderful Joy Nelkin Wieder, author of The Passover Mouse, we finally got to chat mask-free in the WCAT Studios this past Monday. I got to follow Joy on her journey from spark of an idea back in 2002 all the way to this moment twenty years later to celebrate her picture book just before Passover begins April 15th.
The Passover Mouse came out two years ago, just before the pandemic, and so Joy has had to endure a two-pronged form of perseverance with not only a long wait for her story to become a book and reach the eyes of children, but also to connect with those children once the book was out there. So much was cancelled and so two years later she looks forward to reading it to kids in the classroom, at libraries and bookstores to see their reactions to a story about a mischievous but adorable mouse.
Joy said it best during her interview when she said, "Don't give up!"
(Side note: If you're confused--c.t. kavanagh is my pen/maiden name. I always promised myself I would write under my maiden name and so that's what I am doing here. I use my legal name for my non-profit work, but I am indeed the same person.:)
Sometimes you just need to make a good old mind map to think about how a character fits into your story--only to discover that perhaps that character is the very axle (or axis?) around which the story twines and climbs and blooms. That's an exciting feeling for a writer, but that's just a feeling. Now, there needs to be the writing derived from the feeling. Like a surfer catching a wave--you must swim out into an unpredictable ocean with all your strength, look for it, wait for something worth following, then go for it. Get yourself up on that board and enjoy the ride. :)